Probably the least Tim Burton film made by Tim Burton in years. To be clear, I love Burton and his style (in fact I'm a rare believer that his interpretations of the likes of Charlie and the Chocolate Factory and Alice in Wonderland are either as good as, or better than, the originals) but it was a little refreshing seeing it take a backseat for once. It also likely helped Miss Peregrine's feel a lot more unique and original then it otherwise would have done.
Overall, though, the art direction and visuals were stunning. The plot and characters occasionally felt a little over-borrowed (see below) but the film looked incredible throughout. Each "peculiar" person was imbued a real sense of character and the clothing, lighting and - most of all - the locations were brilliant. Blackpool felt real, the Welsh village felt real, the house itself felt... somehow, hyper-real. It was cleverly done but simultaneously helped create this fantastical world whilst keeping it firmly grounded in our own. From a character design and art direction perspective alone I would definitely recommend a watch.
In other areas, however, Miss Peregrine's had some weak spots. For the most part, acting was more than acceptable (though never truly memorable) and it was a lot of fun seeing the likes of Sam Jackson and Graham Linehan in a fantasy. Plus, Eva Green was born to play these sorts of roles; if you want to see her stretched in a fantasy then watch Penny Dreadful, but to see her just having a lot of fun then Miss Peregrine is a great role. It makes me realise that the Harry Potter franchise definitely missed out on casting her within the premiere wizarding world.
Speaking of Harry Potter, if there's one area I would say Miss Peregrine's felt flat, then it is definitely the world-building. The ideas behind the Peculiars, time loops and Hollows are great and have all the elements to feel like a genuinely unique world. I've never read the book, so perhaps that does the world more justice, but there was something about the film which meant you never truly felt immersed. Unlike truly great fantasies, like Harry Potter, Middle Earth or Narnia, the world of Miss Peregrine and co. never quite feels real. It doesn't draw you in and make you wish it was real, although I'm not really too sure why. Perhaps it's the fact that you have to be born a Peculiar, which means that there is less potential for wish fulfilment. Perhaps it's just that, individually, none of the ideas are truly unique. The result is that the world feels like a mash-up of the X-Men, Potter and (weirdly) Jumper franchises, with a dash of Groundhog Day thrown in on top. Even the Hollows just screamed Internet creepy-pasta, rather than unique creatures. They looked like monsters from several Guillermo Del Toro or Burton films mashed together, with a healthy dose of Slenderman blended on top.
All of which is a shame, because underneath these similarities is a genuinely intriguing and well laid out world. Whilst some of the main characters had "run of the mill" superpowers, like fire starting and invisibility, others were far more interesting and clever. Dream projection was a fun concept and the animation and control of non-living objects was disturbing but definitely unique! Top of all, though, was the main love interest. Her powers are never fully explained, but she's effectively an Air Avatar, able to manipulate air and wind. Alone, that would be an interesting but meh power, but combined with her constant struggle to prevent herself floating away it leads to some fascinating visuals and clever plot twists. In a film introducing a whole race of super-powered individuals, you were always going to get some that had been done before (and should do, it makes sense) but Miss Peregrine's also manages to create some very memorable and unique powers, which is impressive. It's something the myriad X-Men films have attempted on dozens of occasions and largely failed at.
The disjointedness aside, though, I did really enjoy the film. There's definite room for improvement but the overall plot, acting, sound work and - above all - visuals are excellent. A couple of tightening screws to the characterisation, a recast for "resurrection boy" (he had a weird role and poor scripting, but also an honestly impressive lack of energy or emotion despite being the centre of a secondary love story) and some more time painting in the details or the world and Miss Peregrine's would have been one of the most intriguing fantasy tales in years.